Color Matching your Sky Plates in After Effects

Grading and Compositing Tips

Written by

Leonardo Verkoelen

Published on

August 7, 2021

Tutorial

Seamless Integration of Skies

When you have a variety of Cloud assets that you want to combine into a larger panorama, it's good to have some knowledge of color matching. This is an essential skill in any vfx pipeline.

I believe this is also great knowledge for the Camera department and anyone interested in Sky-replacement.

‍

‍

Clouds Pack available on our Resources page

‍

Stay connected with Blauw Films!
For the latest updates, breakdowns and exclusive content, follow us on Instagram, LinkedIn and YouTube.

References

Previous

That was the latest post.

Check back soon for more entries to the library.

Up next

That was the oldest post.

We are working on updating our archives.

Self-Sustainable Filmmaking

Approaching the financial side of your IP

Photo-realistic RGB Screen Replacement

Make digital screens in CGI

Re-Linking Missing Textures in Cinema 4D

Troubleshooting common texturing errors

Everything Motion Blur in Chaos Corona

What does speed look like in CGI?

Realistic Night Vision Camera in Cinema 4D and After Effects

Depth-based IR-Light Intensifier Effect

Making realistic Oceans in Cinema 4D

Photo-realistic Oceans in Cinema 4D

Compositing THINKER Close-Up in Syntactic Labyrinths

Blending realistic 3D hardware in After Effects

Compositing RECEIVER into Syntactic Labyrinths

Realistic Screens in your 3D-renders

Compositing THINKER by Edon Guraziu

Compositing THINKER by Edon Guraziu

Compositing Venus with a Spaceship

Realism Techniques for Outer Space scenes

Film Directing and VFX with Florian Thess

What it takes to become a Director

2D Cell Shader Animation in Chaos Corona

Music Video for César Ivan Filio

Realistic CRT Screen Replacement in After Effects

Compositing and Blending Breakdown

Burning Down your House Interior in After Effects

Compositing Fire in moving Shots

Control the amount of Film Grain + Free Project File

How Professionals Add Film Grain

Creating a Rough 16mm Film Look

Emulating film grain

Lighting our Star Wars/Kurosawa Tribute

Color coordinated Lasers

Compositing Stars just like Star Wars

Creating bright starry space scenes

Color Matching your Sky Plates in After Effects

Grading and Compositing Tips

Adding Graffiti Decals to your Environments in Cinema 4D

Bringing Life to Urban Spaces

Compositing the Pyramid of Light in After Effects

Finishing touches on 3D Renders

Compositing a Space Kitty in After Effects

Creating space art

Making a Photo-realistic Uranus in Cinema 4D

Creating 3D planets in Space

Making a Photo-realistic Venus in Cinema 4D

The brightest of them all

Procedural Skull and Teeth Material in Chaos Corona

Subsurface Scattering and Natural Roughness

Making a Photo-realistic Neptune in Cinema 4D

Scattering Light through a 3D Planet Volume

Making a Photo-realistic Mercury in Cinema 4D

Creating 3D Planets that look natural

Intro to Setting up a Premiere Project

A professional editing workflow

Advanced Starfield Compositing in After Effects

How to add Natural Sparkles in your Sky

Learning Wyeth Lighting Techniques - Lighting Mastery

Dark and Soft Environments

Post-Processing CGI Footage 2.35:1 Aspect Ratio

How to make your CG renders look better

Making a Photo-realistic Mars in Cinema 4D

Creating Planets with 3D Displacement

Making a Photo-realistic Jupiter in Cinema 4D

Creating the Planet's Stormy Surface

Learning Hopper Lighting Techniques - Lighting Mastery

The Atmospheric Urban Life

Thunder Clouds with Volumetric Lighting in After Effects

Rain Drops and Lightning Strikes

Learning Rembrandt Lighting Techniques - Lighting Mastery

The Golden Atmosphere

Harry Potter and the Prisoner of Azkaban - Opening Titles Redesign

The Dark Typography of Witchcraft

Learning Caravaggio Lighting Techniques in Cinema 4D - Lighting Mastery

The True Chiaroscuro

Harry Potter and the Chamber of Secrets - Opening Titles Redesign

Opening to one of the Most Iconic movies

Making Lasers with Ambient Occlusion Masks in Cinema 4D

Unique Chaos Corona 5 Technique

The Basics of the Corona Layered Material

Stacking and Blending Multiple Materials

Adding Realism with Decals in Cinema 4D

Time to Sticker up everything

Realistic Moon Compositing in After Effects + FREE Moon Assets

Adding Natural Beauty to your shot

Advanced TV Screen Replacement in After Effects

With a Sad Greenscreen

Realistic Sky Replacement for your Moving shots

Blending multiple cloud plates

Realistic Starry Nights Replacement in After Effects

Color Grading and Compositing Breakdown

The Basics of Sky Replacement in After Effects

Compositing and Extracting Mattes

Flying through VFX Clouds in your Drone Footage

Adding Depth to your Footage

Making a Photo-realistic Saturn in Cinema 4D

Creating Impressive 3D Planets

How to Mask out Clouds in Photoshop

Extract Soft Assets from the Background

Making a photo-realistic Earth in Cinema 4D

Recreating Our Home Planet

Create a 3D Poké-ball in Cinema 4D | 3D Modelling - Timelapse

Looking back at the Original Concepts

You might also like

In Search of the Cinematic Look

What makes your visual art stand out?

How to create Realistic Costume Design for Fiction Stories?

Costume storytelling for your sci-fi story

The Power of Cloud Textures in CG

Compositing is where all elements come together.

About Heist Club: A New IP

What if history isn't protected?

Birds watching from the Sky

Surveillance at every step

The Library of Babel

Archived collective knowledge