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Our Moon

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Published by
Leonardo Verkoelen

Leonardo Verkoelen

Achieving realistic renders of the moon in Syntactic Labyrinths has been a complex balance of finding high res texture maps, adjusting shader settings and getting the right values for the lights.

With a 92K texture-map and an orbit system that matches the real-world, any render will give accurate moon-phases.

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The Epitaph of Man

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Lunar Phases

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A hazmat suit wearing man, Daichi Kashiwagi, holding a futuristic black computer module, THINKER, in Syntactic Labyrinths. He is standing in front of a brutalist spaceship, the Library, in a dimly lit room.

Daichi and THINKER

Syntactic Labyrinths
The hand of Daichi Kashiwagi wearing hazmat gloves pointing at a screen that is displaying the Atharvaveda scripture that has been scanned into the Library in Syntactic Labyrinths.

Archiving our Memory

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A man in hazmat suit, Daichi Kashiwagi, standing in a dark brutalist hallway facing a glass wall leading to a brightly sunlit greenhouse inside the Settlement of Babylonia in Syntactic Labyrinths.

Greenhouse Thoughts

Syntactic Labyrinths
A man in a green hazmat suit, Daichi Kashiwagi, looking contemplatively up into the sky. Overlaid on top of planet Uranus in outer space, with a brutalist spaceship flying past, the Library, in Syntactic Labyrinths.

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A man in a green hazmat suit, Daichi Kashiwagi, sitting and contemplating on brutalist steps in the Settlement of Babylonia in Syntactic Labyrinths.

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The sleep paralysis demon Short Angry from Apple Rot standing in front of a screening of the Apple Rot short film.

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Sad Tall sleep paralysis demon from Apple Rot standing in front of a movie projection of the Apple Rot short film by Blauw Films.

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Close-up 3D render of Sad Tall, a haunting creature from the horror short film Apple Rot by Blauw Films. The scene captures an intense, nightmarish moment as the decayed figure leans forward in a dimly lit room, revealing its eerie white eyes.

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Poster for the horror short film Apple Rot by Blauw Films — featuring a surreal 3D-rendered woman with long dark hair and an apple decaying into her eye. The eerie composition, rendered in cinematic lighting, embodies the film’s themes of nightmare, sleep

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3D-rendered horror scene from Apple Rot featuring the creature “Sad Tall” entering a dimly lit bedroom. The tall, decayed humanoid figure with torn clothing and hollow eyes leans through a doorway, creating an atmosphere of dread and uncanny realism.

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Stealth combat diver Pedro Gomez in wetsuit wearing night vision goggles holding a Ruger Mk IV pistol in one hand and holding a Recon Tanto knife in the other in tactical knife stance in the rain by the ocean with moonlight for Operation: Deli Platter.

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A hand wearing a tactical scuba suit holding a Ruger Mk IV suppressed pistol wile lit by moonlight and covered in drops of rain in Operation: Deli Platter.

The Suppressed Ruger Mk IV

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A top down aerial shot of a Sand Root camo Blackhawk military helicopter landing on desert dunes in Operation: Deli Platter. A soldier from the FNPF wearing a blue helmet is stepping out of the helicopter.

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A hazmat suit wearing man, Daichi Kashiwagi, holding a futuristic black computer module, THINKER, in Syntactic Labyrinths. He is standing in front of a brutalist spaceship, the Library, in a dimly lit room.

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The hand of Daichi Kashiwagi wearing hazmat gloves pointing at a screen that is displaying the Atharvaveda scripture that has been scanned into the Library in Syntactic Labyrinths.

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A man in hazmat suit, Daichi Kashiwagi, standing in a dark brutalist hallway facing a glass wall leading to a brightly sunlit greenhouse inside the Settlement of Babylonia in Syntactic Labyrinths.

Greenhouse Thoughts

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A man in a green hazmat suit, Daichi Kashiwagi, looking contemplatively up into the sky. Overlaid on top of planet Uranus in outer space, with a brutalist spaceship flying past, the Library, in Syntactic Labyrinths.

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A man in a green hazmat suit, Daichi Kashiwagi, sitting and contemplating on brutalist steps in the Settlement of Babylonia in Syntactic Labyrinths.

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A collection of hand-drawn and painted storyboards from the 3D-animated sci-fi short film Syntactic Labyrinths, on a wooden table, showcasing scenes from the Settlement of Babylonia.

Storyboards of Babylonia

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A woman in black hazmat suit, Ayla Erdoğan, is shielding her face from the sunlight. Overlaid on top of Mars in outer space with a brutalist spaceship, the Library, floating past in Syntactic Labyrinths.

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Syntactic Labyrinths
The surface of Planet Mars against outer space. The craters and smooth surface of mars stands in contrast to the stars above it. Part of a series of planetary art, wallpapers and prints for Syntactic Labyrinths.

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A black and white flower diagram with intersecting circles that showcase the different departments of warfare in a diagram from Operation: Deli Platter.

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A military CubeSat displayed on a stand in an art gallery displaying other artifacts and art from Operation: Deli Platter.

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Two people in hazmat suits, Ayla and Daichi, standing by two supercomputer modules THINKER and RECEIVER on a scanning table in Syntactic Labyrinths.

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A man in a green hazmat suit, Daichi Kashiwagi, a key data scientist and creator of THINKER and RECEIVER, in the brutalist Settlement of Babylonia in Syntactic Labyrinths.

Daichi Kashiwagi

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A black, red and yellow futuristic hazmat glove, from Ayla, holding an ID Card from the Settlement of Babylonia in a dark brutalist room in Syntactic Labyrinths.

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Aurora Earth

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Steady Orbit

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Desert Lift Off

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An Odyssey Begins

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Arctic Drift

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Journey to Andromeda

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Phaeton's Flare

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The Library Sunset

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Uranus

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Venus

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Mars

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Neptune

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Jupiter

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Apples from Genesis Orchard

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RECEIVER Boot Up

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Lunar Phases

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THINKER Boot Up

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Shadowy Rings

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Distant Saturn

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Icy Rings of Saturn

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Cute Small Noonies

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So Many Noonies!

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Time and Space

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Our Moon

Syntactic Labyrinths

Backlit Moon

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Pedro signs away Life

Operation: Deli Platter
Syntactic Labyrinths

© 2021 Syntactic Labyrinths
Developed by Blauw Films

Syntactic Labyrinths© is a project that is published and developed by Blauw Films©.
Resources have been developed open-source for Syntactic Labyrinths©.
Resale and modification is only allowed under the MIT License. All rights reserved.
See blauwfilms.com/legal for full usage rights.

For Licensees interested in working with us by licensing our IP please see blauwfilms.com/licensing for more information.

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